THROW

2004

Video installation (single channel)

Variable dimensions / Loop 39 minutes

Powerful images of people throwing objects and things such as blue paint, red flowers, an egg and a stone directly into the camera’s eye were made evident by slow–motion footage and edited with archival images in black & white of a number of political demonstrations that took place in Finland during the 20th century. The resulting blown–up images were later projected for the first time onto the facade of Kiasma, the Museum of contemporary art in Helsinki. 

After Pieter Sloterdijk in Spheren III, the act of throwing something constitutes a significant milestone in the history of Homo sapiens. When primitive man learnt to throw things, he paved the way toward communication over distance. Before the existence of language, to communicate with others without physically moving, men threw things to attract the other’s attention. To this day, throwing remains a social means of communication and protest.

Installation photos at MACRO Museo de Arte Contemporaneo (© Marco Passaro & Juan Ferrari), Roma, 2016; Galerie Bendana-Pinel, Paris, 2018; Casa França-Brasil, Rio de Janeiro (© Mario Grisolli), 2014; Kiasma Museum, Helsinki, 2004

THE WAY WE HOLD THE CAMERA MAKES OUR HANDWRITING QUITE VISIBLE FOR VIEWERS AT THE END. LIKE BEFORE, WE BELIEVE THAT THE STORYTELLER LEAVES HIS HANDWRITING IN THE STORY TOLD AS MUCH AS THE STORY ITSELF.

DIAS & RIEDWEG IN INTERVIEW TO MAARETTA JAUKKURI, CATALOG KUNSTNERNES HUS OSLO, 2008

 THE Process

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